Anita Gray
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MING AND TRANSITIONAL

Open a larger version of the following image in a popup: A BLUE AND WHITE CHINESE TRANSITIONAL VASE, Transitional 17th century
Open a larger version of the following image in a popup: A BLUE AND WHITE CHINESE TRANSITIONAL VASE, Transitional 17th century
Open a larger version of the following image in a popup: A BLUE AND WHITE CHINESE TRANSITIONAL VASE, Transitional 17th century
A BLUE AND WHITE CHINESE TRANSITIONAL VASE, Transitional 17th century
Height: 27cm; 10 ½ in

AY82
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Further images

  • (View a larger image of thumbnail 1) A BLUE AND WHITE CHINESE TRANSITIONAL VASE, Transitional 17th century
  • (View a larger image of thumbnail 2) A BLUE AND WHITE CHINESE TRANSITIONAL VASE, Transitional 17th century
  • (View a larger image of thumbnail 3) A BLUE AND WHITE CHINESE TRANSITIONAL VASE, Transitional 17th century
Of baluster form, boldly painted in underglaze blue with a scene set in a terraced landscape of a kylin, its fangs exposed, eyes piercing, its body scaly, mane flowing and...
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Of baluster form, boldly painted in underglaze blue with a scene set in a terraced landscape of a kylin, its fangs exposed, eyes piercing, its body scaly, mane flowing and with a large bushy tail, above, the sun/moon in the sky, the scene bordered by mountains and pine and divided by plantain trees and stylised rockwork, the base unglazed.

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Literature

For a similar example see A Catalogue of Oriental Ceramics and Works of Art, no 3, compiled by Anita Gray, p. 29, plate 23, another similar example but with a ground neck is in the collection of Östasiatiska Muséet, Sweden, no OM-1987-0107, given to the museum by Juliane Scholander.

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