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康熙瓷器

Open a larger version of the following image in a popup: A CHINESE BLUE AND WHITE JAR AND COVER, Kangxi (1662-1722)
Open a larger version of the following image in a popup: A CHINESE BLUE AND WHITE JAR AND COVER, Kangxi (1662-1722)
Open a larger version of the following image in a popup: A CHINESE BLUE AND WHITE JAR AND COVER, Kangxi (1662-1722)
Open a larger version of the following image in a popup: A CHINESE BLUE AND WHITE JAR AND COVER, Kangxi (1662-1722)
A CHINESE BLUE AND WHITE JAR AND COVER, Kangxi (1662-1722)
Height: 20.75cm; 8 ¼ins

BJ70
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Further images

  • (View a larger image of thumbnail 1) A CHINESE BLUE AND WHITE JAR AND COVER, Kangxi (1662-1722)
  • (View a larger image of thumbnail 2) A CHINESE BLUE AND WHITE JAR AND COVER, Kangxi (1662-1722)
  • (View a larger image of thumbnail 3) A CHINESE BLUE AND WHITE JAR AND COVER, Kangxi (1662-1722)
  • (View a larger image of thumbnail 4) A CHINESE BLUE AND WHITE JAR AND COVER, Kangxi (1662-1722)
The rounded sides rising from a wide flat circular base, finely painted in bright shades of underglaze blue, the bulbous body decorated with two large rectangular cartouches, one enclosing a...
繼續
The rounded sides rising from a wide flat circular base, finely painted in bright shades of underglaze blue, the bulbous body decorated with two large rectangular cartouches, one enclosing a motif of precious objects, including archaic vases and censers with intricately rendered key-fret patterns and taotie masks, the central gu vase shown with flanges and enclosing two auspicious peacock feathers and coral, alongside two books depicted as bound in patterned silk, further decorated with ribboned chimes, a ruyi scepter, and an artemisia leaf, the other wide panel richly decorated with a moonlit scene of a rocky landscape scene with a lone figure standing in a canoe on a calm lake, a small dwelling and a tall gnarled pine on the shore, with birds in formation overhead, the short neck with a key-fret band below a row of small circles, the cover similarly decorated with a key-fret band around the metal finial, further decorated with interlinking scrolling tendrils and a band of spirals sound the rim, the base with the six-character mark of Chenghua within double circular lines in underglaze blue, set with metal handles and together with an intricately carved wood stand.
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Literature

For an example of the same shape but mounted in silver and with a cover see Christiaan J.A. Jörg in collaboration with Jan van Campen, Chinese Ceramics in the Collection of the Rijksmuseum, Amsterdam, published by Phillip Wilson and the Rijksmuseum Amsterdam, London and Amsterdam, 1997, pl. 105, p. 109. Here Jörg discusses how this form is rare and closely related to similar jars found in the Hatcher wreck of c. 1643. He also discusses how the small holes on either side were made before firing to attach simple Chinese bronze or silver mounts and may have served as censers, these existing openings were then used by the Dutch silversmiths for their more elaborate silver mounts. This shows that the holes were drilled at the time of manufacture and mounted both in China and in Europe.  For another rare dated example see our archived section here. This example now in the Albuquerque Foundation Sintra, Portugal.
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