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MING AND TRANSITIONAL

Open a larger version of the following image in a popup: A FINE CHINESE BLUE AND WHITE KRAAK PLATE, early 17th century
Open a larger version of the following image in a popup: A FINE CHINESE BLUE AND WHITE KRAAK PLATE, early 17th century
Open a larger version of the following image in a popup: A FINE CHINESE BLUE AND WHITE KRAAK PLATE, early 17th century
A FINE CHINESE BLUE AND WHITE KRAAK PLATE, early 17th century
Diameter: 20.5cm; 8 ins.

BE98
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%3Cdiv%20class%3D%22title_and_year%22%3E%3Cem%3EA%20FINE%20CHINESE%20BLUE%20AND%20WHITE%20KRAAK%20PLATE%3C/em%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3Eearly%2017th%20century%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3EDiameter%3A%2020.5cm%3B%208%20ins.%3Cbr/%3E%0A%3Cbr/%3E%0ABE98%3C/div%3E

Further images

  • (View a larger image of thumbnail 1) A FINE CHINESE BLUE AND WHITE KRAAK PLATE, early 17th century
  • (View a larger image of thumbnail 2) A FINE CHINESE BLUE AND WHITE KRAAK PLATE, early 17th century
  • (View a larger image of thumbnail 3) A FINE CHINESE BLUE AND WHITE KRAAK PLATE, early 17th century
Thinly potted, of round form with a shaped and moulded rim, decorated in shades of underglaze blue, the centre painted with a scene of a grasshopper balancing on a rock,...
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Thinly potted, of round form with a shaped and moulded rim, decorated in shades of underglaze blue, the centre painted with a scene of a grasshopper balancing on a rock, its two front legs held up and its wings unfolded, standing beneath a single large peony bloom, all contained within a flower-shaped cartouche with eight petals and surrounded by four panels, two of diaper pattern and two of key-fret work; the wide, shallow rim is moulded to fit the pattern of eight wide panels divided by eight thin panels; the wide panels each contain an object, including peaches, a double gourd vase, a scroll, an Artemisia leaf, and a double gourd vase; the thin panels each contain a single small flower or a geometric symbol; the reverse is painted with eight wide panels divided by eight thin panels, the thin panels each with an elongated lingzhi fungus, each wide panel with a geometric design; the short foot encircled with two lines of underglaze blue, the base glazed. 

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Literature

Our dating is based on Maura Rinaldi Kraak Porcelain (1989, Bamboo Publishing) p.98, pl.85. The example published in Rinaldi is dated 1595-1610. It has the same moulding to the body and a similar panelled pattern on the reverse. The front has a central cartouche of a similar shape to ours, again surrounded by diaper pattern. The front rim, like ours, has a pattern of eight wide panels divided by eight narrow ones.

 

In the Victoria and Albert museum, there is a Safavid plate made in the Kraak style (museum number 2782-1876), dating to the 17th century. Like our Chinese plate, the Safavid Kraak-style plate also has a grasshopper under a large flower as the central decoration, albeit in mirror image. Safavid potters were highly enamoured with Kraak-ware from China, and sought to emulate its striking style by copying pieces that came to Iran. It is highly possible that a plate very similar to ours was used as the basis for the Safavid version held in the V&A.

 

A comparable Chinese version, also with a grasshopper, may be found in the Groninger Museum (museum number 1938.0610).

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